week 9 // more iterations and more development

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I did not put anything up today but rather work on the internal aspects of my work, that is its purpose. What am I depicting? What story am I telling? I feel like the presence of my installation is strong, but just needs that small push to make it stand out more -so; through the matter on the surface of the drum or through the projection?

I decided to try and compose some content that tells a story through the projection on the top of the drum, whether it be an animation, images or even my own content. Continue reading “week 9 // more iterations and more development”

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These Epiphanies Are Making Me Hungry

Digital Asia

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Nowadays it’s hard to turn on a television without seeing food – whether it is cooking programs or lifestyle food commercials. Well, from what has originated in South Korea, the big food fad is watching strangers eating. The country is glued to live streams of other Koreans binge eating, to the extent that these eating individuals have now become nationwide micro-celebrities.

In my previous blog post I narrated my experience of diving into the highly popularised South Korean food trend of Mukbang, which recounted my consumption of over 60 minutes of consumption. This time I will be using the autoethnographic methodology to analyse my narrated experience – highlighting my key ‘EPIPHANIES’ and also the assumptions, histories and  prejudices that I am bringing to the investigation. This enables reflection, in order to develop my insights into another culture.

Autobiographers write about “epiphanies”—remembered moments perceived to have significantly impacted the trajectory of a…

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WEEK 8 // FIRST ITERATIONS

This was the first week of idea iterations. I began by piecing together different elements of previous works that were strong. This included; the notion of asylum, the use of old and tattered materials and the use of sombre sounds.

I decided to continue my work on the refugee experience but take it through a government and societal filter – re-utilising a 44 gallon drum from a previous work and a sound that I have composed to accompany my dark piece. This first iteration was to test if all of these factors work hand in hand, without any real content matter. To tell a story, sometimes the tone set by materials must be laid as a solid foundation in order to build upon. My first iteration was to:

  1. Embed a speaker within the drum and seal it off with a plastic skin (like a drum)
  2. Project onto the surface of the drum (content yet to be discovered)
  3. Lay matter on top of drum to interact with projection and sound
  4. Play sound that resonates through the drum therefore disrupting content and projection on the surface of the installation.

Continue reading “WEEK 8 // FIRST ITERATIONS”

WEEK 6 // ITERATIVE PRACTICE AND CRITICAL REFLECTION

The concept of my work will continue to be that of those in a state of statelessness. My previous works have played off my own family’s personal journey in seeking asylum in Australia after the Vietnam War and has been used as a major catalyst in my creation of powerful depictions to audiences. This time I want to be more raw, more influential and important is all aspect, but I am not sure how to go about it.

This week has acted like a moment of brainstorming and critical thinking about my projects aims and trajectory. I have never intended to present political works but to continue these depictions of people on this scale, it offers more substance to make meaningful.  Continue reading “WEEK 6 // ITERATIVE PRACTICE AND CRITICAL REFLECTION”

Korean Food Phenomenon // MUKBANG

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I love food as much as the next person and growing up in as a Vietnamese-Australian I was brought up with quite a wide scope in terms of food culture –  such as diverse flavours, etiquette and perhaps the ability to use chopsticks more competently than a fork.

As I entered the subject of Digital Asia I slowly began to recognise on social media the growing rate and popularity of a different kind videos online. These videos were depicting people, from what I was seeing, mainly petite females, eating large quantities of food whilst talking to a camera and ultimately their internet audiences simultaneously. This triggered my curiosity and put me in a state of awe as I began to look into it’s country of origin, South Korea and dig a little deeper into the industry phenomenon of ‘Mukbang‘.

Mukbang, or 먹방, is an abbreviation and addition of two words:  먹다 (sound: “Muk-Dah” / meaning: to eat) + 방송 (sound “Bang-Song” / meaning: (TV) broadcast).

I found this really interesting because it’s one thing to broadcast yourself singing, playing video games or dancing but within my own cultural parameters, broadcast eating was unfamiliar – which made it all the more absorbing! I wanted to commence my auto-ethnographic journey with immersing myself with some of the best in the biz, micro-celebrities in the eating industry or the OGs of Mukbang, if you will. So with a quick google search with something along the lines of ‘South Korea’s most famous Mukbanger‘, I discovered BJ (Broadcast Jockey) Benzz and BJ (Broadcast Jockey) Shukii and watched a single video of theirs in its entirety.

 

 

Okay, after effectively watching collectively over an hour of broadcast eating I have so many thoughts, reflections on my own upbringing/life and questions about the notion of Mukbang. Firstly, besides the straight-up obscurity of it for me, it is impressive. It is impressive to watch a single person consume enough food to feed a group of people, especially that of very slim individuals that were in these texts.

Secondly, reading into this form of media more-so, whilst I was watching this I learnt that Mukbang content is streamed to live audiences, mainly through AfreecaTv which is a P2P technology-based video streaming service based in South Korea. So, there is a huge viewership for these videos where hundreds of thousands of people tune in during to interact with the creator and also millions then after the initial broadcast. And with this, during the experience I could definitely acknowledge a sense of community, a sense of company and maybe even a level of comfort for the regular viewers of this type of content. I think that we as humans definitely do need connection to one another and whether that is through having coffee with someone in the flesh or a meal via digital screen, the effects will be major/minor. The person eating in the video would talk to the engaging public which I felt was pretty cool, it gave the content more substance than just eating and it clearly matters to the public for them to take time out of their lives to comment on features within the video. In regards to my own upbringing through an Australian/Asian filter, food was a very social matter, growing up my family would gather at all times during the day to eat, share food, not necessarily talking to one another but enjoying the overall presence of the gathering. Drawing these linkages highlights the strong social utility that Mukbangs encompass. Building upon this theme, these eating individuals are placed on a pedestal where audiences then become fans – and like any other industry like K-Pop for example, celebrities/micro-celebrities are birthed.

I am not a fan of loud eating or eating sounds at all for that matter, it’s pretty much nails on a chalk board for me and as I continued to watch that was the main audio accompaniment that I endured. And as painful as it was, I began to think that might be a reason why people watch. There is a stigma of fetish-related reason as to why people watch by the herd, people may tune in to watch K-POP-esque people devour food but may also hold the weird fixation of listening to eating sounds similarly to the also growing trend of ASMR that I have also come across in the media today. Autonomous sensory meridian response (ASMR) is a term used for an experience of physical sensation of tingling that often begins in the scalp and moves down through the spine and sometimes to the limbs. It can typically be induced by auditory behaviours (sounds that some deem to be relaxing), which in fact includes eating sounds.

Then I found this…

[BJ Benzz ASMR YouTube channel]

At the end of my immersion into this Korean food trend I felt as if though I kind of had a somewhat better understanding of why fans of this form of media develop interest into it. It really did remind me of how other forms of expression and online engagement occupy social media platforms, it’s just a case of different audiences and relevance to them. Interpreting this from a foreign context my reading of Mukbang culture transitioned from a ‘This is really weird’ standpoint to a ‘This is really weird to me still, but I get it’ one.

Week 5 // bringing things together

This week commenced our investigation into our final media arts project, but firstly looking through the works of other practitioners that we felt were strong. Taking the theme of ‘Futures‘ we began to tease out and pick apart a particular work that resonated with ourselves and conversed as a collective to better our understanding of methods, notions and ideas that were used in their and our soon-to-be creations.

For this examination I gravitated towards a content creator that I saw a piece of myself within. I chose to explore a work by Thai independent media artist, film director, screenwriter, and film producer; Apichatpong Weerasethakul.  Continue reading “Week 5 // bringing things together”